Image courtesy the artist


A commemoration of communities that have survived imperialist military occupation, Gate: II references the layered histories of Okinawa, Japan, which has endured a heavy United States military presence since World War II. The work combines the aesthetic of the Shinto torii, a gateway to shrines, with the chain link fences of military bases, which often co-opt the Shinto architecture in their own checkpoints. A colorful curtain of acrylic beads, assembled through artist-led community workshops, reflects the individuality of those who brought the work into existence and represents the power of peaceful unity as a confrontation to militarization.



‘MONUMENTS NOW: Call and Response’