Rachel Frank continues her exploration of our changing ecological relationships with Sentinel Offering Kernos: Woodcock, Oysters, Lichen, a large-scale ceramic interpretation of an ancient Greek ringed offering vessel, whose cups held offerings of grain. In Frank’s interpretation, the kernos’ cups are envisioned in the forms of three local indicator species, whose health or absence offer early signals of environmental change. When filled with grain or water, birds and insects can find nourishment here. The kernos offers a haven, encouraging new ceremonies of ritual and community, inclusive of the local Greek community in Astoria, whose ancestors originated the kernos form.

About the Artist

 

Image by Stephen Tateishi.

*Rachel Frank is the 2021 Devra Freelander Artist Fellow.

Born and raised in Kentucky, Rachel Frank received her BFA from The Kansas City Art Institute and her MFA from The University of Pennsylvania. She is the recipient of grants from The Pollock-Krasner Foundation, The Elizabeth Greenshields Foundation, The Puffin Foundation, and Franklin Furnace Archive. Residencies include Yaddo, Marie Walsh Sharpe, The Museum of Arts and Design, Skowhegan, the Innoko National Wildlife Refuge (Alaska), Franconia Sculpture Park, and MOCA, Tucson (AZ). Her performance pieces have been shown at HERE, Socrates Sculpture Park, The Select Fair, and The Bushwick Starr in New York City, The Marran Theater at Lesley University (MA), and at The Watermill Center in collaboration with Robert Wilson. Recent solo and two-person exhibitions include MOCA Tucson (AZ), the SPRING/BREAK Art Show (NYC), Thomas Hunter Projects at Hunter College (NYC), Standard Space (Sharon, CT), and Geary Contemporary (NYC). She works in wildlife rehabilitation as staff at the Wild Bird Fund and is based in Brooklyn, NY.

Website: rachelfrank.com

Instagram: @rachelfrankfrank