This installation mimics the space of an indoor basketball court with a hoop that references improvisational play and the decagonal structures found in the playing fields of ancient Mayan temples, and horizontal drawings suggestive of the Nazca Lines. By simultaneously employing and destabilizing visual vocabularies associated with games and architecture, Quevedo examines how displaced cultures shape the urban landscape of New York City.

Artist Profile

Learn more about Ronny Quevedo in his Artist Profile