August 11, 2020 – March 14, 2021

Socrates staff grills lunch on Paul Ramírez Jonas’ ‘Eternal Flame,’ 2020, Image by Sara Morgan.

‘Eternal Flame’

Five bbq grills, matches, steel, wood, concrete and smoke
11 × 11 × 20 ft

Paul Ramírez Jonas’ ‘Eternal Flame’ is a monument in the form of a communal grill and imagines cooking culture as both a symbolic and real eternal flame – there is always a lit cooking fire somewhere on this globe. The work honors the role of cuisine and cooking in cultural cohesion and expression among communities and identities,  even when individuals and families relocate locally, nationally or internationally.

‘Eternal Flame’ is designed to recognize the importance of dialogue and exchange. During this new time of social distancing the grill will not be available for public use, but instead bring people together philosophically and culturally through the common experience of cooking and eating. With this in mind, a series of videos will be released with local and distant chefs invited by the artist to address the meaning of the eternal flame while preparing recipes and relating stories on each dish’s significance. Ramírez Jonas imagines cooking culture as a symbolic eternal flame, enduring in communities for generations, over vast distances.

Artist Bio

Paul Ramírez Jonas was born in Pomona, California in 1965 and raised in Honduras. Educated at Brown University (BA, 1987) and Rhode Island School of Design (MFA, 1989), Ramírez Jonas, currently lives and works in Brooklyn. Over the last twenty-five years Ramírez Jonas has created works that range from large-scale public installations and monumental sculptures to intimate drawings, performances and videos. Through his practice he seeks to challenge definitions of art and the public, engineering active audience participation and exchange. For example, his 2010 Creative Time project, ‘Key to the City,’ involved 20,000 participants and centered around a key as a vehicle for exploring social contracts pertaining to trust, access, and belonging. Keys have featured repeatedly in his work as symbols of access and exclusion as well as public and private ownership. Multiples based on everyday objects such as coins also are a reoccurring motif, allowing the artist to question notions of value, circulation, and societal rituals or behaviors. He is currently an Associate Professor at Hunter College, where he has been since 2007, and is represented Galeria Nara Roesler.

Support

Film produced in association with Galeria Nara Roesler.

‘MONUMENTS NOW’