Emily Johnson Performance Live-StreamSeptember 16, 2020 6:45 – 8pm
Emily Johnson rehearsing on Jeffrey Gibson’s monument installation at Socrates, Image by Audrey Dimola.
Please Note: The Park closes to the public at 4pm the day of the event and remains closed during the event, it can only be viewed online via Zoom & Facebook.
Artist Jeffrey Gibson has curated a series of performances by Indigenous artists to activate his project, ‘Because Once You Enter My House It Becomes Our House‘ for the ‘MONUMENTS NOW‘ exhibition. After an inaugural performance by acclaimed violinist Laura Ortman on July 24, the series continues with a new original work by dancer Emily Johnson live-streamed to the Park’s Facebook & Zoom accounts.
Johnson’s site-specific dance work, ‘The Ways We Love and The Ways We Love Better – Monumental Movement Toward Being Future Being(s)’, stages pathways for regeneration, renewal and transformation.
The performance begins with a gathering at the shore of the East River estuary with words from artist and activist Nataneh River, and then moves to ascend Gibson’s monument. ‘The Ways We Love…’ incorporates storytelling, invocation, movement, and light to illuminate Indigenous presence and the histories held in the parkland, which is situated in Lenapehoking – homeland of the Lenapeyok people.
The evening culminates with the planting of tobacco, and the project continues this spring with the planting of Sehsapsing corn seeds — a tribute to the future and a commitment to Lenape return.
Annie Ming-Hao Wang
Angelica Mondol Viana
Stacy Lynn Smith
About Emily Johnson
Emily Johnson performing. Image by Jeffrey Gibson.
Emily Johnson is an artist who makes body-based work. She is a land and water protector and an activist for justice, sovereignty and well-being. A Bessie Award-winning choreographer, Guggenheim Fellow and recipient of the Doris Duke Artist Award, she is based in New York City. Originally from Alaska, Emily is of the Yup’ik Nation, and since 1998 has created work that considers the experience of sensing and seeing performance. Her dances function as portals and installations, engaging audiences within and through space, time, and environment—interacting with a place’s architecture, peoples, history and role in community. Emily is trying to make a world where performance is part of life; where performance is an integral connection to each other, our environment, our stories, our past, present and future.
Her choreography and gatherings have been presented across the United States and Australia. Recently she choreographed the Santa Fe Opera production of Doctor Atomic, directed by Peter Sellars. Her large-scale project, Then a Cunning Voice and A Night We Spend Gazing at Stars is an all-night outdoor performance gathering taking place amongst 84 community-hand-made quilts. It premiered in Lenapehoking (NYC) in 2017, and was presented in Chicagou (Chicago) in 2019. Her new work in development, Being Future Being, considers future creation stories and present joy.
Emily’s writing has been published and commissioned by ArtsLink Australia, unMagazine, Dance Research Journal (University of Cambridge Press); SFMOMA; Transmotion Journal, University of Kent; Movement Research Journal; Pew Center for Arts and Heritage; and the compilation Imagined Theaters (Routledge), edited by Daniel Sack. She was an advisory committee member for Creative Time’s 10th Anniversary Summit and a Phase One working group member of Creating New Futures. She serves on the advisory committee for Advancing Indigenous Performance Initiative of Western Arts Alliance, The Center for Imagination in the Borderlands and the Native American Arts Program Expansion Committee for Idyllwild Arts. Emily is the Pueblo Arts Collaborative Diplomat at Santa Fe Opera, and a lead organiser of First Nations Dialogues.
Emily hosts monthly ceremonial fires on the Lower East Side of Mannahatta in partnership with Abrons Arts Center. She is part of a US based advisory group—including Reuben Roqueni, Ed Bourgeois, Lori Pourier, Ronee Penoi, and Vallejo Gantner—who are developing a Global First Nations Performance Network.
Programming for Jeffrey Gibson‘s ‘Because Once You Enter My House It Becomes Our House‘ is made possible by generous support from VIA Art Fund, Roberts Projects, Los Angeles; and Sikkema Jenkins & Co., New York. It is also made possible with funds from the NYSCA Electronic Media/Film in Partnership with Wave Farm: Media Arts Assistance Fund, with the support of Governor Andrew Cuomo and the New York State Legislature.